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Okinawan
Kobudo |

Okinawa
is a string of islands that lie between China and Japan
and has been a common battle field for both its neighbors
for many centuries. The Okinawan weapons are an integral
part of Okinawan Martial Arts. In
1477 all weapons in Okinawa were banned and confiscated.
This political move directly led to the development
of two different fighting systems. Te, practiced
by the nobility, is a form of empty hand combat; and
Kobudo, developed by farmers
and fishermen is a form of armed combat using simple
farming tools and everyday implements as weapons.
In both systems, training was conducted in strict secrecy.
In some circles if one does not know weapons, one is
not considered well rounded in Martial Arts.
Although there are eight different
weapons in Okinawan Kobudo, the most commonly used and
generally viewed as the core of the art are the bo,
jo, tong fa, and the sai. Each
weapon has its own set of kata and techniques of use
in combat.
Today's existing kata go back two or
three hundred years or so; we can safely say that they
were forged by masters experienced in combat.
Unfortunately the history of the fighting
arts of the Orient depends more on an oral rather than
a written history. Therefore, different opinions and
interpretations exist among the historians as to the
accuracy of the various divergent viewpoints regarding
the founders and their times.
We can at least go back (with some
degree of accuracy) to Aburaya Yamaki and Matsu Higa
as the first to establish a systematized approach to
kata and techniques. We definitely know that Matsu
Higa was the Sensei of Takahara Peichin who taught Karate
Sakugawa (1733-1815) who most historians readily
agree was the fountainhead of modern Okinawan Kobudo.
After the year 1609 when the Satsuma
clan of Japan subjugated the Ryukyus, the Japanese with
their propensity for accuracy recorded quite a bit of
the customs of the Ryukyus including the Martial Arts.
O'Sensie Kim
Okinawan and Japanese Weapons
The
weapons that we teach at our school are the bo
(6'staff), sai (forked prongs), jo (4'staff), the tong
fa (tool for grinding rice into flower), kama (sickle),
ulesi (a Filipino weapon), knife procedures, Iaido (the
way of drawing the sword, and Kenjutsu, (the use of
the sword in battle). The major purpose of training
with weapons is to teach the difference between life
and death. This comes about when a person realizes just
how lethal weapons are. There is a drastic difference
between fighting with an empty hand and fighting with
a weapon. For example, a punch to the chest stuns, while
the same technique done with a sword kills. Therefore
training with weapons requires
greater mental focus than empty hand training,
and it helps students gain a greater appreciation for
life.
In Kobudo the weapon is simply used
as an extension of the body. Nearly all basic Karate-Do
moves can be duplicated with a weapon in your hand,
therefore, the perfection of basic moves is a necessity
for weapons training. The most useful weapons for present
day training are either the bo or the jo, usually made
from oak. The police night stick is derived from the
tong fa. The same moves learned with these weapons can
be applied to a broom, walking stick, umbrella or a
rolled up newspaper.
Japanese
Weaponry
Iaido - Kenjutsu - Jodo
Weapon Arts of the Samurai
Iaido
is the art of drawing and cutting with the Katana. This
method of practice dates back to the Tokugawa Period
400 years ago. We study ZNKR Seitei Iaido, Muso Jikiden
Eishin Ryu Iaido and Shimay Muso Ryu Iaido.
Kenjutsu
is the science of using the sword after it is drawn:
the honing of battlefield techniques, timing, strategy,
accuracy, strength, balance, etcetera. This art would
have originated at the same time as the sword itself.
We study Tachi Uchi No Karai from the Jikiden school
of Iaido, and the sword of Miyomoto Musashi, Niten Ichi
Ryu.
Jodo,
the way of the 50 inch staff dates back to the late
16th Century when two famous Samurai fought each other,
with the result that Miyomoto Musashi's two sword style
defeated Muso Gonosoke's six foot bo. After the defeat
the latter trained with the Yama Bushi and meditated
in retreat wherein the essence of the art of Jodo was
revealed to him. We study ZNKR Seitei Jodo and Gonosoke's
style, Shindo Muso Ryu.
Filipino Weapons (Escrima, Kali,
Arnis)
Escrima
(which means to skirmish) is a
Filipino Martial Art which has been traced back
to the 9th century. When the Spanish first invaded the
Philippines in the 16th century, their steel swords
and armour proved no match for the Filipinos swift,
elusive, and vicious sticks. The turbulent land saw
many battles. The Filipinos learned new techniques from
each invading force and developed a complex fighting
system using empty hands, swords, sticks, clubs, staffs,
lances, and knives. Eventually the Spanish managed to
subdue the Filipinos by use of firearms, and thus conquered
the land. In 1764, when Spanish control was complete,
the practice of Escrima was outlawed; however, many
of its movements were preserved in "folk dances".
In Escrima training
practitioners first learn weapons before progressing
to the weaponless techniques of hand and foot.
The first weapon is usually the stick or the dagger.
Systems include the sinawali sticks (drills using two
sticks usually about 30 inches long), single or double
dagger methods, and espada y daga, the stick and dagger
method. Escrima was brought to the USA and Hawaii in
the early 1900's by Filipino college students, farm
workers merchant marines, and dock workers. Jack Santos,
an Escrima master, formally introduced the art to the
USA in 1909. He was followed by numerous Escrimadores,
but the art was then highly secretive. The non-Filipinos
who learned the art did so through their Filipino friends.
Today especially through the efforts of Dan Inosanto
who has helped spread it world wide.
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Kobudo
Video samples - download Quicktime
to view |
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Kobudo
1 Bo Staffs. 32 seconds, 1992k |
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